Lo and behold, I pulled out a giant spiked staff that made short work of the enemy. The perks in particular can really change the progression of the game: after dying dozens of times to one boss, my assassin gained a perk that let her open chests without a key. You're also constantly unlocking achievements with practically everything you do, each of which gives you points you can spend on potions and more items to help you progress quicker. Leaving potions brewing and weapons forging, which can take plenty of real-world time, makes things very sticky, giving you a nice bonus to look forward to the next time you come back to the game. Where the previous games often felt single-minded, scrounging up enough virtual cash to buy different weapons, the ability to reforge the same weapons gives you another, often cheaper, option for continuing with the gear you've become accustomed to.

While that can be frustrating in an extremely linear game with nothing to do but try again, the two different characters often give you the choice of attempting a different mission instead of the one that left you disheartened. Death has always come early and often in Infinity Blade. What these all add up to is Infinity Blade III's real accomplishment: it keeps you playing. And then there's the dragon, which pops up at the most inopportune moments leaving fiery destruction in its wake. It all adds up to a deeper and more complex dynamic that enables you to endlessly tweak your setup, though it can get confusing. Chair also adds in more ways to build out your kit with a blacksmith, gemcutter, potionmaster, gemcutter, and even a pirate for trading. The new female assassin, Isa, comes with her own complement of items, perks, and fighting styles. There are more options for improving your character when you level up, but more importantly there are now two playable characters. that's why we spent so much time making this new system,' Mustard explains. More worlds are likely to appear as downloadable content 'We can now add a whole new world to that environment and it will just work. Where the first two games each took place in a single castle, exploring the ruin's heights and depths, Infinity Blade III has more diverse scenery, with eight distinct worlds accessible via a world map, including at least one from the previous game. Infinity Blade III's real accomplishment: it keeps you playing Judged by that original standard, at least, Infinity Blade III succeeds. 'In a way, we created this new genre,' says Mustard. 'It's just about trying to always balance the game in a way that gives players really rewarding game play every two minutes,' says Mustard.įor the original Infinity Blade, working with the constraints of touchscreen hardware and a short development schedule, Mustard explains that his studio didn't have time to do much more than figure out a core combat system that was fun to play simply by swiping across a screen, redefining the 'preconceived conventions of game controller development' as they went along. It's about building a game that can be played one bite-size piece at a time. Why should those who've played either of the first two games bother with number three? Donald Mustard, co-founder of Infinity Blade developer Chair, gives what seems to be a throwaway reply at first: 'We really see Infinity Blade III as the ultimate culmination of that vision of what a mobile experience can be.' Yet, the vision he's referring to isn't players repeating the same motions for hours on end. And - spoiler alert - Infinity Blade III is more of the same. There's little story to speak of, just a lot of hacking and slashing in search of better hack-and-slash gear. But while Infinity Blade made a mean first impression and its sequel Infinity Blade II expanded the world and refined the combat system, the on-rails experience was never really very deep.

It's the game Apple trots out at keynotes to demonstrate just how powerful its latest iPhone graphics processors can be, and the game you'd whip out to show your friends. Since the day Infinity Blade first appeared on the iTunes App Store in December 2010, the gorgeous sword-swinging dungeon crawler has been the poster child for mobile gaming.

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